Sweet
Creek Fall
picture

 /lsa/pictures98/green cube  LSA Home Page

 green
cube  Newsletter
      Previous issues   cube  Committees

  cube  Events

  cube  Staff Profiles

  cube  Staff Websites

  cube  News From Former Staff

  cube  Reviews

  cube  Ongoing Groups

  cube  Classified Ads

  cube  Other Related Links

  cube  Suggestions? Contact the LSA web committee

This website is an informal communication forum for staff members of the University of Oregon Library Staff Association. Contents and opinions expressed herein or on linked personal or external pages are those of individual authors and do not represent official statements, policies, or positions of the Library, the University of Oregon, Oregon University System, or State of Oregon.


Search the LSA Web Site:


Page maintained by lsaweb@lists.uoregon.edu

Library Staff Association News

Published by the Library Staff Association of the University of Oregon Library System


No. 30, March 2001



Fortune And The Fifth-Grader

I bought a lottery scratch-off ticket at the gas station the other day, something I do rarely and always with a feeling of doom. I stood in the dumpster bay next to the station in near darkness, furtively scratching away. Sure enough, I was a loser. I quickly stuffed the ticket into the dumpster, looking around to see if anyone had witnessed my foolishness.

Why do I bother? I'm a person who has no commerce with luck at all, good or bad. Luck is like an ominous entity in another dimension; it brushes past me unseen and leaves no mark on me. I know what happens to folks who summon this terrible creature; therefore I gamble small and timidly, and I leave luck alone.

But there are some for whom this unpredictable being comes unbidden. For no reason, there comes an amazing change of fortune. One such person was Jeff McCoy in my brother's fifth grade class. Jeff was a nobody, not a clown, not smart, not stupid, not funny-looking nor gross-smelling, not remarkable in any way. That all changed for him in one stroke.

Jeff's uncle was driving on the old highway out toward King's Valley one fine day when he came around a corner and almost ran into a van stalled by the side of road. He pulled over and helped the van driver load the cargo onto a flatbed truck. In return for his help, the van driver gave Jeff's uncle a large carton.

Jeff's uncle had no use for the contents of this carton, so he gave it to Jeff. You can imagine Jeff's astonishment when he opened it:

The van belonged to a novelty company, which produced toys and prizes vended in gumball machines. Not the cheap kind of novelty, mind you, but the big, twenty-five cent kind that comes in a fist-sized plastic globe. Inside would be anything you could think of, in miniature: little metal cars with opening doors and hoods, fully accessorized charm bracelets, tiny cheeping chicks for Easter, mini cameras with stereoscopic views inside, hot rod cards to trade, lifelike skulls with glinting jeweled eyes, some very desirable shrunken heads, naughty magnetic scotties with their bottoms stuck together, incredible twisting red devils, dinky Derringers that fired real blanks, complete doll houses with teeny furniture, troll dolls with neon hair, slinkies, and on and on. Jeff had inherited the world in microcosm. Within minutes of letting his best friend know of his remarkable acquisition, Jeff had become the most talked about boy in the school.

Of course, everyone wanted to be Jeff's friend now. My brother, who hadn't given Jeff the time of day in his life, was now mooching around him, trying to get his hands on one of the Derringers. It was not to be, although he did get a rubber switchblade the size of his thumb with the tiny inscription, Death before dishonor, engraved on the handle. He also got a drag racer model with a hideous shrieking mummy driver, and an Alfred E. Newman transfer ("What--Me Worry?") which my mother confiscated and destroyed. She didn't read Readers' Digest for nothing; Mom was fully aware that sleazy comic books were leading directly to the moral decline of the nation, and she was not having any in her house. My brother wisely kept his toys hidden after that.

Soon, even second graders benefited from Jeff's good fortune, as their big brothers and sisters filtered down the less desirable items from his stash. Cartoons, transfers, whistles, and kewpie dolls all made their way to us. We got the less glamorous forms of jewelry--metal bangles that scraped, plastic diamonds, rings that turned fingers green. Through my brother I eventually acquired the entire postage stamp sized edition of the Tales of the Brothers Grimm, illustrated with lovely little pictures of Rumplestiltzkin and Hanzl and Gretl. Also, I received a deck of cards that featured the Flintstones on the face cards, and a wetty baby with a bottle and changeable diaper. I loved them.

Jeff himself kept the really good stuff, the stuff we never saw, but only heard tell of. We heard about the ball that was an acquarium for sea monkeys, with a little plastic castle in the bottom. We longed for the wee pinball machine with flashing lights. We sighed over the "Mighty Mite" roller coaster which could be set up inside a match box. Jeff had a model of Sputnik, a coffin with Dracula inside, a functioning miniature guillotine with a head in a basket, a dried fetal baby crocodile ("Genuine!"). Jeff had the entire set of Whacky Racers models, all of the scary movie monsters cards, and a Hi-Bouncing Nite-Glo Superball.

Wait a minute--I'm at a place in my life now, where I can just go out and buy a set of chattering teeth or a gory eyeball, if I want one, yet writing about Jeff McCoy has made me extremely wistful. Yes, damn him, I still envy Jeff. I could make his fate a terrible example. I happen to know what was at the bottom of the carton--two hundred stereoscopic peepshows featuring an identical scene from what was then considered the stupidest movie of all time, Chitty Chitty Bang Bang. Perhaps, after all that high living, Jeff was left with no friends and two hundred pictures of Dick Van Dyke embracing Sally Ann Howes.

No; I stay my hand. It is too horrible a fate.

I have to say I don't know what became of Jeff. Maybe his mother got tired of all the junk in his room, and threw everything out. Maybe he put out his eye with the dinky Derringer. Maybe he gave his whole collection to a girl who later dumped him for someone else. I don't know, and therefore this story ends without a useful moral. I will not attempt to have it published in Readers' Digest.

Perhaps somewhere, there exists a tiny Wunderkammer of delights, and Jeff is its curator, the Maharaja of Miniatures, while luck, like a jewel-eyed skull, still winks at him.

L.R.Sexton


FROM THE FACT FILE

"The Envelope, Please..."

OK, movie lovers, it's time to dust off your crystal ball, get out your Ouija board, or do what it takes to make your predictions for the 73rd Annual Academy Awards, which will be held Sunday, March 25 in Los Angeles. This month we give you a chance to pick the winners in ten of the Oscar categories, and we list the nominations below. So even if you're not a frequent film goer, you can be a winner in this contest.

Best Picture

  • "Chocolat"
  • "Crouching Tiger, Hidden Dragon"
  • "Erin Brockovich"
  • "Gladiator"
  • "Traffic"

    Best Director

  • Stephen Daldry, "Billy Elliot"
  • Ang Lee, "Crouching Tiger, Hidden Dragon"
  • Steven Soderbergh, "Erin Brockovich"
  • Ridley Scott, "Gladiator"
  • Steven Soderbergh, "Traffic"

    Best Actor

  • Javier Bardem, "Before Night Falls"
  • Russell Crowe, "Gladiator"
  • Tom Hanks, "Cast Away"
  • Ed Harris, "Pollock"
  • Geoffrey Rush, "Quills"

    Best Actress

  • Joan Allen, "The Contender"
  • Juliette Binoche, "Chocolat"
  • Ellen Burstyn, "Requiem for a Dream"
  • Laura Linney, "You Can Count on Me"
  • Julia Roberts, "Erin Brockovich"

    Best Supporting Actor

  • Jeff Bridges, "The Contender"
  • Willem Dafoe, "Shadow of the Vampire"
  • Benicio Del Toro, "Traffic"
  • Albert Finney, "Erin Brockovich"
  • Joaquin Phoenix, "Gladiator"

    Best Supporting Actress

  • Judi Dench, "Chocolat"
  • Marcia Gay Harden, "Pollock"
  • Kate Hudson, "Almost Famous"
  • Frances McDormand, "Almost Famous"
  • Julie Walters, "Billy Elliot"

    Best Screenplay (based on previous material)

  • Robert Nelson Jacobs, "Chocolat"
  • Wang Hui Ling, James Schamus and Tsai Kuo Jung,
    "Crouching Tiger, Hidden Dragon"
  • Ethan Coen & Joel Coen, "O Brother, Where Art Thou?"
  • Stephen Gaghan, "Traffic"
  • Steve Kloves, "Wonder Boys"

    Best Screenplay (written directly for the screen)

  • Cameron Crowe, "Almost Famous"
  • Lee Hall, "Billy Elliot"
  • Susannah Grant "Erin Brockovich"
  • David Franzoni, John Logan and William Nicholson;
    Story by David Franzoni, "Gladiator"
  • Kenneth Lonergan, "You Can Count On Me"

    Best Cinematography

  • Peter Pau, "Crouching Tiger, Hidden Dragon"
  • John Mathieson, "Gladiator"
  • Lajos Koltai, "Malèna"
  • Roger Deakins, "O Brother, Where Art Thou?"
  • Caleb Deschanel, "The Patriot"

    Best Original Score

  • Rachel Portman, "Chocolat"
  • Tan Dun, "Crouching Tiger, Hidden Dragon"
  • Hans Zimmer, "Gladiator"
  • Ennio Morricone, "Malèna"
  • John Williams, "The Patriot"

    One point is scored for each correct prediction in the above categories, except in Best Picture, in which a correct answer is awarded a point and a half. Submit your answers by 5:00 pm, March 25 to Fact File. The library staff member whose submission has the highest score will win a certificate for a free video rental from Flicks and Pics (or if you'd prefer, a lot of popcorn). We'll have a little something for the runner-up, too. In the event of a tie, a random drawing will be held to determine a winner. The answers, and the name of our winners, will be announced in the April issue of LSA News.


    DIVERSITY DOINGS

    Four members of the Library Diversity Committee (LDC) headed north on February 22nd and 23rd to attend a Diversity Summit at Oregon State University. The conference was organized by the OSU Diversity Initiative (DIVINI) Committee and funded by a grant from the W.K. Kellogg Leadership for Institutional Change Initiative. While most attendees were from OSU, people also came from UO, Portland, and Hewlett-Packard. A very moving awards ceremony during one of the luncheons revealed a close-knit and active community of administrators, students and faculty focused on diversity at OSU. The Summit ended with a wrap-up brainstorm on how to translate what was learned into specific actions that could be taken at OSU. It was interesting to observe that many of the issues, ideas, and even tensions that came up are also echoed on the UO campus, and probably many campuses in Oregon. Many attendees were hopeful that there would be future Summits. It would be wonderful to join forces and have a UO/OSU, or even an OUS-level, Diversity Summit to continue the institutional commitment to learning and dialogue.

    What follows are brief summaries of the sessions that LDC members attended:

    Juntos y Revueltos: the U.S. Latino Communities at the Beginning of the 21st Century
    Presented by: Arturo Madrid (a leading Latino activist and scholar who is currently a Distinguished Professor of Humanities at Trinity University in San Antonio)

    The first part of this title can roughly be translated as "together and mixed (up)." While Hispanics represent a large fraction of the current U.S. population, (almost 9%), they are not a homogenous group. Indeed, part of the difficulty of determining the demographics of this group stems from lack of agreement on what term to use to describe them. Some bristle at being labeled Hispanic and/or Latino, and prefer the term Chicano, although this term only applies to people of Mexican descent. Also, not everyone who might be called Hispanic necessarily self-identifies as such. One could truthfully answer the question "Where are you from?" by saying "Oregon," but what is really being asked is "Where are your ancestors from?" The highest concentrations of Hispanics in this country are in the Southwest, which of course was once part of Mexico, but Florida, New York, New Jersey and Illinois also have high concentrations. Regarding areas of family origin, 65% of Hispanics in the U.S. have their roots in Mexico, but immigration rates from Central and South America have risen markedly in the past twenty years, now accounting for over 14% of the Hispanics here. Immigrants from Puerto Rico and Cuba also represent sizeable fractions of the total. Many of these immigrants have fled political turmoil in their countries of origin. Compared to the majority population, birth and poverty rates are higher among Hispanics, while median income and educational attainment is lower. Nationally, Latinos make up 14% of the school age population; in California, they comprise 50%.

    -----David Landazuri

    Discovering Strengths in African-American Students and Personal Renewal in the University of the 21st Century
    Presented by: Joseph White (Ph.D., Professor Emeritus of Psychology and Psychiatry at the University of California Irvine)

    This day-long workshop focused on identifying the seven psychological strengths of African-Americans examined our own individual methods for personal and professional growth, and how we can make the university system more responsive to the needs of African-American students.

    What are these "seven strengths"? 1) Improvisation: African-Americans are imaginative, innovative, resourceful, creative; 2) Resilience: the ability to rebound from a setback and come out stronger; 3) Connectedness to others: a connectedness through extended families, same-gender peer relationships, special romantic relationships and mentors and/or mentoring; 4) Spirituality: a deep belief in God; 5) Emotional vitality: the African-American community is alive through their music and dance, their literature and art; 6) Gallows humor: ability to laugh and cry during a bad situation; 7) A healthy suspiciousness without letting it deter them.

    This workshop was an interesting blend of recitation of poetry (Langston Hughes' "Mother to Son"), fiction, meditation, and clinical psychology methodology, in addition to an open dialogue among the participants.

    -----Rose Thomas

    Performance Poetry
    Performed by: Michael Anthony Ingram (Assistant Professor in Counselor Education and Supervision at OSU and an internationally recognized performance poet)

    Dr. Ingram's interest in poetry led him to create poetry for his own self-expression of what is means for him to be a black man. His electrifying mix of both verbal and visual images received two standing ovations from the audience. If you would like to learn more about Dr. Ingram or listen to his poetry visit his website at: http://www.thecounselingpoet.com/index.html

    -----Rose Thomas

    Class, Class Struggle, and Marx
    Performed by: Brian Jones (an actor who has teamed up with Howard Zinn to bring the story of Karl Marx's life and ideas to a new generation)

    This workshop featured an hour-long performance of the one-man play by the acclaimed radical historian Howard Zinn (author of A People's History of the United States) titled "Marx in Soho." Brian Jones, an African-American actor and activist, plays Karl Marx who has come back from the afterlife to clear his name.

    "Marx in Soho" is a monologue that combines memories and reflections on Marx's life and how his ideas are relevant for today's world. "Less than 500 individuals control $2,000 billion in business assets!" Marx shouts. He reminds us that in this country, wealth is not spread among most of the people who work to generate it. Marx reads newspaper headlines, such as "General Motors Layoffs for Workers," to let us know that things are not all right in our society today. Marx also delivers a critique of the distorted forms of Socialism (Communism) that took place in the Soviet Union and Eastern Europe.

    After the performance, Jones took questions from the audience and led an open discussion. An interesting point he raised is that to be effective in eliminating racism the larger, underlying class disparity issues need to be addressed so that there is guaranteed health care, housing and food for all.

    ----Rose Thomas

    Disability and the University: Building an Integrated Curriculum and Society
    Presented by: Simi Linton (a longtime disability rights scholar and Associate Professor of Psychology at Hunter College)

    Dr. Linton laid out the historical context for the area of disabilities and defined some key terminology and concepts. Impairment refers to the medical condition that is really only the concern of the individual. Disability is used to identify with a community and its culture. In the past, disabled people were segregated and addressed based on their impairment, which resulted in isolation and mistreatment. The broader umbrella of "disability" has brought these groups together into a community that can address and counteract negative and prejudiced views towards disabled people.

    Academic scholarship has also mirrored this change, where twenty years ago a focus on disability was found only in programs like Special Education, Abnormal Psychology, and sociology of deviant behavior. Now Disabilities Studies is laying out a new field of inquiry by using the "lens" of disability to look at the tenets of other fields. Universities generate many ideas that go beyond their walls, so a careful examination of these ideas from multiple perspectives will benefit society as a whole. One example is examining the use of empiricism in psychology and how it privileges non-impaired people. Another example is questioning architectural design (ramps to separate entrances; wheelchair access only to the rear of auditoriums) that perpetuates a division between disabled and non-disabled by only designing to meet the law, not the needs of a community. One more example is the Casey Martin (professional golfer from Eugene) case before the U.S. Supreme Court, which calls into question the fundamentals of golf and asks, "Who decided the rules?" and "What is golf?" Other major issues where Disabilities Studies can add a valuable perspective are the use of genetic testing and screening and euthanasia.

    -----Diane Sotak

    Trends, Goals, and Other Meaningful InQUEERy
    Presented by: Ronni Sanlo (Director of the UCLA Lesbian Gay Bisexual Transgender Campus Resource Center)

    In the United States ten states still outlaw same sex relationships. Thirty-nine states allow discrimination based on sexual orientation. Twenty-seven states do not include sexual orientation or gender identity in hate crimes laws. Zero states allow same sex marriage. Thirty-two states ban same sex marriage, and only four states offer equal benefit packages for state employees with same sex partners. On the campus level nationally, there is no national sexual orientation policy. The National Student Affairs Organization does include sexual orientation in their policy statements, while the American Council on Education has ignored requests to include such statements in their policies.

    Campuses have to grapple with two trends. One trend is that more people are coming out in high school and demanding services when they reach college. Since no statistics are collected on LGBT students, staff, or faculty (i.e., no forms ask people to identify their sexual orientation), it is hard to assess their numbers and recognize their needs. This results in a lack of service integration and support. Currently, only forty universities have LGBT Resource Centers, of which the UO is one. The other trend is that more people are hiding their orientation and there has been an increase in attempted suicides. Also, since no statistics are collected on the numbers of GLBT students, retention rates are unknown.

    The function of a LGBT Center is not as the campus closet, but to teach the rest of campus how to make spaces safe and welcoming. The UCLA LGBT Center has a library collection that is in the process of being added to their University's Library System, they manage listservs, they do high school outreach, development outreach to potential LGBT donors, and hold Lavender Graduations (ceremonies that honor the lives and achievements of LGBT students who are graduating).

    ----Diane Sotak

    Accessing and Understanding Asian American Students and Communities
    Presented by: Evelyn Hu-DeHart (Professor of History, Chair of the Department of Ethnic Studies, and Director of the Center for Studies of Ethnicity and Race in America (CSERA) at the University of Colorado at Boulder)

    I couldn't think of a more qualified or more interesting person to present this talk. During the first half of the workshop Professor Hu-DeHart explained some of the history of Asian people in America. She described a series of acts passed by Congress beginning in the 18th century and continuing through 1964 that prevented Asian people first from becoming citizens and finally from immigrating to the U.S. at all. It wasn't until 1965 that extremely limited quotas by national origins were overturned.

    Professor Hu-DeHart emphasized that the term Asian-American implies a uniformity that is simply not accurate. She described some of the different experiences of Asian and Pacific Americans, from those whose families have lived in the U.S. since the 17th, 18th and 19th centuries to those who came in the 1960s. Some people came as refugees, others to provide a cheap source of labor, and still others as skilled high-tech workers. She pointed out the different countries, different cultures and different religions that people represent. She described "one-and-a-halfs" like herself (people who immigrate to the U.S. before the age of 13 and are able to remember their culture of origin and adapt more easily to the new culture) as well as Asian children adopted by Euro-American families and children of "mixed marriages." All of this to illustrate the complexity of the Asian-American experience. The last part of the workshop was spent examining images of Asian-Americans and the concept of the "model minority." She illustrated the seeds of truth behind the stereotype by sharing statistics of educational achievement along with country of origin, parental expectations, education level and gender. Her primary message was to look at people as individuals and not to assume we know a student's needs because s/he can be categorized as "Asian-American."

    ----Heather Ward


    Primavera Sale

    Celebrate the first day of spring at the LSA Primavera Sale, to be held in the Knight Staff Lounge on Tuesday, March 20, from 11:30 a.m. to 1:30 p.m. or until sold out.

    We plan to have donated baked goods, canned goods, relishes, flavored vinegars and other great things to eat. As in the past, the arts and crafts staff will be selling their wares.

    New this year will be plant starts, bulbs, cut flowers, seeds and other related garden goodies.

    A decadent dessert by Paul Harvey will be raffled at the event.

    If you have art or crafts to sell, or could help with setup or cashiering, please contact Lisa Sieracki by March 9. If you have food or garden items to donate or sell, please contact Susan Mincks.


    LSA 2001 Annual Arts and Crafts Show

    The third annual LSA Arts and Crafts show was held on Wednesday, February 14th, 2001. More than sixty library staff and faculty (plus a few curious students) entered the Knight Library Browsing Room Gallery to view the creative efforts of this year's participants:

    • Chelle Batchelor-pottery
    • Michiyo Goble*-pottery
    • David Grange-turned wood projects and mirror frame
    • Mary Grenci-quilting and embroidery
    • Andrew Howell- black-and-white photography
    • David Landazuri- bike performance art photographs
    • Audra Loyal-knitting, pottery and illustrations
    • Jean Murphy-book cover art, snowmen book
    • Salli-Jo Osborn-Valentine art box
    • Liesl Vorderstrasse-handspun yarns/hand-knitted sweater
    • Mary Weed-pink Styrofoam art
    • Aimee Yogi-bamboo/washi sculpture, Yuzen-paper covered eggs

    This year's event allowed the opportunity to view works by new participants, as well as "old" favorites. "Nice show this year!" and "I'm so glad this is becoming an annual event!" exclaimed the show's viewers.

    I am always astounded by the abundance of creativity among our staff. There are no pictures available this year, so you will have to envision the fanciful humor, the vision and excitement, the effort and creativity of the arts and crafts displayed in this year's incredible show. Thank you to all the contributors and the organizers!

    ---submitted by Rosella Thomas, LSA Programs Committee

    *Michiyo Goble will be showing her Shinoware plates in the upcoming show "Clay Interpretations: Pottery by Six Artists", March 9th-April 21st, 2001 at the White Lotus Gallery, 767 Willamette Street, Eugene, OR. Website: http://www.wlotus.com/.


    Been to an interesting conference? Send us a brief report for publication in the next newsletter. Thanks!


    Kudos!

    Congratulations to fifty-five classified staff members who have worked for five or more years at the University! By my reckoning, these staff members have contributed a total of 817 years of service to the Library System and the University! At least ten of us have worked over twenty years! Don't forget to go to the Award Ceremony on March 5 at 3:30 pm in the EMU Ballroom (although Autzen Stadium might have been a better choice.)


    Welcome New Staff!

    Be sure to say hello to Blake Scott, Current Periodicals and Stacks, and Katie Sloan, Interlibrary Loan, both of whom started work in February.